
Alright bitches. I'm off for two weeks. May your holidays be filled with dopeness and that new hotness. No top anything lists here. Nothing to post either. I mismanaged my time. Fuck it. See y'all next year.
Pace
Next up, we got the “Enhanced version” (I say enhanced because I added a bunch of tracks and switched the order and it makes me feel regal) of Christmas Rap. I had this tape and loved it. Of course Christmas in Hollis is a classic, but there were some other greats on it too. Sweet Tee’s “Let The Jingle Bells Rock” was good. Dane told another goofy story in a goofy accent. King Sun brought a depressing story of Christmas in the ghetto when “ghetto” wasn’t synonymous with “cool”. I added “Santa’s Rap” from the Treacherous Three. I put the single and the version from the movie (Beat Street). There’s a slight difference but I just loved the track and redundancy makes me feel good. Also, redundancy makes me feel good. I felt like this was the one and only Hip Hop Christmas release that wasn’t completely wacky. It seems that Luke’s Christmas and Afro Man’s 40oz Christmas and the Dipset one were all more interested in being shitty then feeling good. Granted King Sun and Spyder D were not happy but, and maybe this was 14-year-old naiveté, but I felt like this release was fun and not mean. Whatever. You can draw your own conclusions. Enjoy.
01 - Mad Kap - Da Whole Kit & Kaboodle
liked it now that I think about it. It had this joint and Cypress Hill’s A to the K and a College Boyz song I can’t remember the name of and don’t like it enough to actually look it up now but I remember liking it then. Anyway, it was The Xtra-P doing his thing and the “Ba-Ba-Ba-b-Ba” (that’s my creative interpretation of how it should look) always got my pumped.03 - Mary J Blige - Sweet ThingMy favorite part of old school mixtapes was when they blended an R&B acapella with a Hip-Hop beat. It always made R&B more palatable for me. Puffy made his early career out of it. Back when he was trying to be grimy and rhyme like 3rd eye. This is off the Remix album of "What’s the 411." I liked this version a lot more than the original but I kind of liked the original too.
07 - MC Lyte - Cappuccino
12 - M.I.A. - Bucky Done Gun
he made some pretty well crafted music for what he does. This is from the "Play" B-sides. Along with being a sucker for a chick over a fat beat, I really like the counterpoint of having some old blues or gospel or something like that over a fucked up break or digital kind of back drop. It appeals to some part of me a great deal.
18 - Mos Def - Ms. Fat Booty
I hate “the mixtape” culture. I just don’t get it. I’ve been “down” as much as my melanin deficient dermis allows since the early 80’s and I get the point that cultures need to evolve. I’m not saying it was better back in the day. It was by the way. But the whole mixtape thing. It is you rhyming over someone else’s beats, typically. They are rushed and sloppy and lack direction and substance. I understand there are a few that are done well but I don’t need to be inundated with new material from MC Magoo or DJ Magee every few months. It doesn’t make you prolific, it makes you irritating. In my opinion, the only time one should rhyme over someone else’s beat is on the legendary and sadly extinct “posse cut” or at a battle. Otherwise it’s biting. You are straight jacking some shit. Rather than put the rhyme you wrote last night on 2” or into your computer. Take some time with it. When I started rhyming I didn’t really understand that other people made your beats. I just thought you wrote the rhyme, made the beat and, I guess, engineered the session yourself. Naïve? Maybe. But I had to learn how to do it all myself. It was a lot more work, but I got a lot better at making everything gel together.
What up people? I finished the mix and I'm posting it along with this. I got eveything you guys reccomended except for the Jungle Brothers' "I'll House you" Sorry Mook. I really tried. I'm posting it early so y'all can check it out. Voting hasn't started yet and I'll updateyou guys when voting is up. I did the whole thing with Acid so there's some time stretch effect on a lot of it but I tried to minimize it so it isn't too distracting. If y'all are feeling it I'll do more. I'll probably do more anyway. It's been a few years since I really concentrated on some music creation and it felt good. So that's about it. I'll get back to the alphabet and try to get some mixes (not by me) and some cover stuff done too. Holidays are crazy though. Enjoy the mix bitches!!


As I've said before, I am without wit and devoid of any interestingly creative bones, juices, or complex internal structures. I therefore hope that you will help me. I have won my round of the mix competition and have moved to the second. Honestly, I didn't think I would win but now that I did I want to. The first mix was thrown together pretty much except for the I Get Top Billin (and even that was a little lame) and now I'm competing with some cats that are more serious. I'm not scared of the, I just don't know what to do for a mix. This is where you come in. Now, I don't have turntables setup (baby took over my room) so there will not be any scratching but I can still tweak some shit, mash some shit up and I have stuff I've done over the years. Here's what I don't want to do:1. a mix of all contemporary hip-hop (there's not enough really that would make a mix to win, if that makes sense to you.)
2. A mix of all old school (it just seems cliché and lame.)
3. A dirty south or hyphy mix (A: I don't really like it, and B: see #1)
So, what I was thinking was making a mix of rock that's more hip hop-y and hip hop that's a little more eclectic. What do you think? Do you have any requests for me to put in? Also, any requests (that I have or you can provide for me) I'll put in. It probably won't be the whole song but some element of it will be there. I promise. So, there's my dilemma. Help a brova out. The picture has nothing to do with anything, I just like her bum.
Pace.
01 - Lamb - Lusty
undsystem - Never As Tired As When I'm Waking Up
her debut was a great record but then my wife played it until it was dead and I hated it. It’s too bad she eats and pukes now because I thought she was cute enough as she was.
producer outside of Gang Starr. We also cuddled to this song.
school in the Berkshires and everyone else that listened to Hip Hop there was pretty much from 
01 - Lamb - Lusty
02 - Laquan - Now’s The B Turn
03 - Laura Veirs – Galaxies
04 - Lauryn Hill - The Sweetest Thing
05 - LCD Soundsystem - Never As Tired As When I'm Waking Up
06 - Leaders of the New School - Case Of The P.T.A.
07 - Led Zeppelin - Hey Hey What Can I Do
08 - The Libertines - Horror Show
09 - Lightheaded – Orientation
10 - Lily Allen - Nan You're A Window Shopper
11 - Little Brother - Slow It Down
12 - L.L. Cool J - I'm Bad
13 - Lord Finesse & DJ Mike Smooth - Track The Movement
14 - Louis Armstrong - That Old Feeling
15 - Lovage - Strangers On A Train
16 - Low Profile - Funky Song
17 - Lupe Fiasco - Daydreamin' (Feat. Jill Scott)
18 - Lyrics Born - Bad Dreams

So Canyon Cody from the mighty Gnawledge empire actually asked me to write about something and since I am without wit and creativity I decided I’d take him up on it. There is also a great interview from Dan Love at From Da Bricks you might want to check. Now, while there is the proverbial curse on any musician trying to make it in Boston, there are some cats or bands that shine. Aerosmith for instance, Tracy Bonham, and The Cars were reasonably successful, Sean Dwyer aims to be next, by releasing "Rhymes And Beats". Dwyer, A.K.A. Gnotes (not pronounced “guh-notes” or “G Notes” but rather “notes” like gnome or Gnarls) is part of a goofily named independent, bohemian, underground hip-hop movement and represents Beantown (617 bitches!).
favorite Muddy Waters song sampled. Another, “Samba-tryst” blends in Latin influences. Sun Don’t Chill (dope beat!) kind of reinterprets C.R.E.A.M. but subtly and devoid of diddyness. More of a celebration of the beat than a straight jack. It’s all a mix of samples and live instrumentation, which blend seamlessly and force neck muscles to contract and heads to bob.
Chris Manak has been DJing and producing as Peanut Butter Wolf for nearly 20 years now. He is probably most known for, or has the most influence with his Stones Throw record label.
First is the 666 mix, released on June 6th 2006 (get it?) which is chock full of the typical Death Metal and, Industrial and Punk we have all grown so accustomed to from DJ’s like Ron G and Scribble. Filled to the brim with the likes of Revolting Cocks, Black Sabbath, Ministry, Led Zeppelin and many more, it’s a ("nice" wouldn’t be the best word here) "interesting" break from the norm.
Secondly, is the 777 mix. Released on July 7th 2007 (
aha!) this was part of a grander 7 day tour in which each gig had completely different play lists about god in all of her Multiple-Armed, Mohammed-Appointing, Mary-Bonining, Level 6 Magician Spell Casting glory. The CD version sports the likes of the Street Christians, Brand Nubian, and Pharoah Sanders. It's a lot of random yet fitting holy shit that he makes work. So there it is. Do you pick the fiery pits of satanic rock or the glorious speakers of the Lords words bitches?
Pace.
So, it's not as exciting as turning 2 (big up Trav) or a mix competition (dump in yo mouth) or a Rev Shines exclusive (massive) or any of the other myriad things going on in the terrific links located on the right of this blessed site, but I got 15000 hits today or yesterday and that's cool with me. Granted only 6 of them returned but I like to think the 2 seconds they spent here before they realised they mistyped their intended URL that I made them better people and they pressed the back button feeling sublimely calm and/or comfortably numb. I got some ish on the kettle so stay tuned you 3.

believe in global warming, you're an idiot. If you throw you McDonalds wrappers or cigarette buts out the window, you're an idoit. My one recommendation is switching to those energy pig tail light bulbs too. But make sure you get the "Warm Light" ones. They are also listed as burning at 2700K. Any higher and they get too flourescent and you feel like your working in that basement office in the beginning of Joe Versus The Volcanoe. The bulbs are more expensive initially but they last longer and cost less to use.
01. Proceed II (feat. Roy Ayers)
02. Worldwide (London Groove)
03. Silent Treatment (Black Thoughts 87 You And Yours Mix)
04. You Got Me (Me Tienes Remix)
05. It’s All About You (Not About Me)
06. Distortion To Static (At Ease Mix)
07. Take It There (Remix) {Nonchalant}
08. Rafiki (Album Mix) {Zap Mama}
09. Silent Treatment (Da Beatminerz Mix)
10. Listen To This {Walking Large}
11. What You Want (Feat. Jaguar)
12. Proceed III (Feat. Bahamadia)
13. The Good, The Bad & The esolate
14. Distortion To Static (Freestyle Mix) Bonus 2002 Track
15. Break You Off (Original Version Feat. D’Angelo)
16. It’s Comin’
17. Distortion To Static (Ques Jim Mix)
18. Proceed (Live At The Supper Club)
19. New Year’s At Jay Dee’s
20. What They Do (Live On Jenny McCarty)
21. Silent Treatment (Street Mix)
22. Da Jawn (Bahamadia)
23. Distortion To Static(Black Thought Mix)
24. Burnin’ & Lootin’ {Bob Marley}
25. Proceed II (Butcher Mix)
26. Still Out There
27. You Got Me (Live On David Letterman)
28. Sprite Commercial
29. Proceed IV (AJ Shine’s W/O A Pause Mix)
30. The Lesson Part 2 (Instrumental)
31. The Show
32. Rafiki (Hard Mix) {Zap Mama}
33. The ‘Notic (Feat. D’Angelo)
34. Distortion To Static (At Ease Microphone Check Mix)
35. Silent Treatment (Kelo’s Mix)
36. Proceed II (Live On John Stewart)
37. Millie Pulled A Pistol On Santa
38. Listen To This (The Roots Remix)
39. Adrenaline (Live At Woodstock ’99)
40. Distortion To Static (Bob Powe Bass Mix)
41. Silent Treatment (Questions Mix)
42. Y’all Know Who
43. Proceed V (Da Beatminerz Remix)
44. You Got Me (Original Version Feat.Jill Scott)
45. The Last Track
I did this around 1999 I think, but who knows or cares? I always thought that "...Baby One More Time" was a pretty good bubblegum pop song. I worked in a studio and had to listen to shit like this a lot so it doesn’t have as adverse an effect as it once did and also, they make creams and balms and salves for anything else. If you can get over the fact that she can’t sing a lick, and I can appreciate if you can’t, she was quite a good entertainer. I don’t like her and don’t want to hang out with her but she put on a good show. I’m obviously still somewhat defensive about liking this song but that’s my baggage. Onward… So, I wanted to do a drum and bass kind of remix but keep it pop still because nothing that I ever did before or previously was approached that way so I wanted to challenge (or fake challenge) the fartist in men. I thought the Willie Dixon sample was an interesting counterpoint and makes me giggle when I hear it. The beats are standard issue DNB breaks. The Bob James sounds good to me too, but made it so I’m biased. Plus I’m an idiot. So there’s that too. Okay enjoy. Or don’t. "This is my rifle. There are many like it but this one is mine."
Liam Howlett made the Dirtchamber Sessions (volume 0.5 in this case) as a mix for a Breezeblock show…which means nothing to a Yankee like me. He apparently killed it and people stated bootlegging the mix so he decided to release it. However, he had some issues with clearing some of the music. Most problematic was probably the holy grail of sample material, The Silver Beatles’ work. Now, this was before the days of Prince Rakeem and co being cleared and hopefully blowing that door down. Paul McCartney even liked the idea of being used for the mix. However, Apple said nay with a big fat “fuck you” on top and Jane’s Addiction was used as a replacement. The mix itself is how I like to hear things done. Everything from D.S.T. to P.E. to the KLF. I have a vivid memory first time I heard this. I was helping my homeboy Mook the Rhyme Dragon move out of his old house to a new one with his douchey soon to be ex-wife and their god dammed cats. I’m allergic to cats. I don’t like cats. They make me sneeze and irritable and cause my eyes to itch to the point I would rather remove the ball from it’s socket and burn it only to bury it than to deal with the frustration of scratching my iris. So, I was in a bad mood and all itchy and sweaty because he lives in
01 - Keith Murray - The Most Beautifullest Thing In This World
05 - King Sun - The Gods Are Taking Heads (Feat. Poor Righteous Teachers)
ook ugly, I’ve come to lay you down.” And any song about intercourse with facially deficient individuals always intrigues me. Unfortunately, it was not so and the woman in the song is “lovely” not “ugly.” The band made a pretty solid debut and a better follow up. It’s the kind of southern rock that owns your ass.
da has 6-ish records (read: 4 domestic) and are known for making guitar and synth laden experimental indie rock. This track is much less synth-ish but the chicks voice is dope. She sings in English which means she loves America and George W. and it’s just a really hot track according to me and my fickle fancies.
im battle wise but he was still a pioneer of battles. Gotta respect that. This just in…. I saw him on the VH1 honors show and didn’t recognize him. Now, I’m older too and fatter but good god man. My wife thought he was Cee-Lo Green. Still love him though.
Dorfmeister. If you enjoy ganja or endless delays and filtered vocals then they are the dubbed out shit you have been questing for. They have spawned side solo projects like Tosca and Peace Orchestra, both of which are just as stupendous as their combined efforts... If you’ve never heard of them and want to try out some of their stuff, their DJ Kicks record or their K&D Sessions are great places to start, but it’s all really well done.
I was always a good speler.
20 - Kwame - Boy Genius